Mister (Nick Damici) roams what remains of the Earth killing vampires for survival, until he meets up with Martin (Connor Paulo), a young man who's lost his family and is need of help. Seeing a purpose in a world without order, Mister agrees to help Martin reach the border to Canada and with it, the promise of safety. Helping those in need along the way, Mister and Martin finds themselves hunted by members of the Brotherhood, a religious sect that might be more deadly than the vampires. Luckily, Mister's tooled up with his weapon of choice, plenty of stakes.
If the basic plot sounds familiar, it's because at a glance it's basically the same as 2009's Zombieland. However Woody Harrelson and friends can rest easy, because by drawing inspiration from Stephen King's The Stand and Cormac McCarthy's The Road in equal measure, Stake Land is more than just Zombieland with vampires. In fact it's a different beast entirely as these aren't exactly traditional vampires. They might suck blood, but they're the most zombie-like vamps I've ever seen.
One aspect that Stake Land can't be faulted on is in creating a believably desolate and destroyed world. The whole landscape has been transformed into a pile of rubble and dark, unfamiliar and dangerous roads. It also has an interesting take on the religious implications of an apocalypse, with opinion swinging back and forth between those who seek to spiritually benefit from the destruction and those who just want to survive the aftermath. If you could sum the idea of the film up into one easy soundbite, it's the ongoing search for salvation, be it through religion, forgiveness or the birth of new life.
Perhaps its closest relative is Mad Max 2, the Brotherhood sharing similarities with the feral army of Max's world; but of course, this film features vampires too. The make up is highly impressive considering the budget, and although at times the story feels more like an episode of a cable TV show than a film, the acting's of a pretty high standard too.
Stake Land is an interesting watch, but it's definitely missing something. The film's lack of sense of humour does make it a heavy going and gruelling watch at times. Relentlessly bleak and willing to destroy the characters you've come to care about without warning, Stake Land is an unpredictable, stylish and violent film that perhaps needs rewarding for sticking to its guns. Or stakes, whatever.
Verdict
Special Features: The Making of Stake Land, Director's Pre-Production Diary, VFX Breakdowns that explain how they altered their footage 'Monsters' style, Webisodes, Commentaries.
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