Wednesday 8 September 2021

BOY MEETS BOY review

In Berlin for a weekend break, junior doctor Harry (Matthew James Morrison) meets dancer Johannes (Alexandros Koutsoulis) in a club, just as his weekend of dancing and casual sexual encounters is coming to an end. With hours left before his flight home, Johannes agrees to show Harry the sights of Berlin as the two men open up to each other about their lives, loves and relationships.

Owing a huge debt to Richard Linklater's Before Sunrise, Boy Meets Boy follows the two young potential lovers as they breathe in the atmosphere of the city, debating everything from the benefits of finding sex on Grindr and Tinder to whether Eurovision is "gay revenge for the World Cup" as they bicker and build a real connection that neither are used to experiencing. Harry, an aimless doctor looking for his calling in life, has become accustomed to finding brief fulfilment via casual sex he has through dating apps, conditioning himself so far into the lifestyle that he never wants to have sex with the same person more than once, whereas Johannes believes in the power of forming a bond with another in a traditional relationship, albeit one that may come with caveats to a partner's behaviour.

I'm a sucker for a decent film set over the course of one day in a beautiful city, and this vibrant, talky, unabashedly frank romance doesn't disappoint. The topics they cover are at once insignificant and hugely important, allowing both of the lead characters to get the measure of the man opposite them whilst contemplating whether this connection could lead to more than their limited time together might allow. Directed and co-written (along with Hannah Renton) by Daniel Sanchez Lopez, the two, often opposing, viewpoints of the young men adds a real spark to their day together, with their cynicism and prejudices laid bare to reveal how they both think they should be navigating their way through this world of modern queer relationships. Both Morrison and Koutsoulis impress in their roles and have fantastic, exhilarating chemistry with each other throughout in a Berlin that positively glows, leading to some gorgeously romantic, cliche-defying scenes as they enjoy the prospect of a dance by the river and give in to their impulses.

A film that is hopeful in its outlook but that doesn't ignore the harsh realities of modern love, sex and relationships, Boy Meets Boy is a frank, often bittersweet and emotionally raw film that also bathes in the unavoidable romantic splendour of its sunny locale. The Linklater comparisons may be inevitable and justified, but equally, this is a brief encounter I'd be happy to see more of in the future.

Verdict

4/5

Boy Meets Boy is now available to buy on DVD and digital, and also at the peccapics website.

Monday 6 September 2021

HANDSOME review

Unsure of what the future holds for them, brothers Nick and Alex, who has Down's syndrome, embark on a journey to discover if it's pre-determined that Nick will have to become Alex's full time carer, or is there a world where Alex can experience understanding and empathy from others and get support for his disability? Together with a small documentary crew they travel across the world to speak to other families affected by Down's to see how they have adapted.

Dealing with a subject matter so personal and so close to the hearts of many families, not least those featured in the documentary, Handsome needed to walk the fine line of being informative and educational whilst also not losing sight of what its aim was. Sadly, despite having some fine moments between the Bourne brothers and the families they meet on their journey, too often Handsome feels orchestrated and manipulative of Alex's presence, rather than inclusive and giving him an active role in his life. At the centre of the film is Nick, serving as our narrator and guide (and modelling himself heavily on Louis Theroux), meeting a diverse range of people who also have siblings with Down's to ask how their lives have been impacted and what they see their future being.

It's here where the film is the most successful and moving, as real people tell their own stories, delivering their visions for the future with a hopeful tone. In what becomes one of the film's most poignant moments, interviewee Molly goes as far as calling Nick back to correct her earlier statements, worried that the whole project and her input aren't reflective of her relationship with brother, Charlie. Which of course is true, as despite the best efforts of her (and the film as a whole), you can't encapsulate that bond between siblings in one 90 minute film. As for Nick and Alex who travel to New York, Mumbai and Hanoi together on this trip of a lifetime, it's clear that they are close and share a shorthand between themselves, and although the film doesn't shy away from showing some raw, confrontational moments between them, too often this feels staged and manipulative of Alex, as if Nick is pushing his buttons to get a better reaction for the camera. It's uncomfortable viewing, and despite Nick's voiceover stating that "I don't treat him any differently as a brother because of his disability", it's open for the viewer to decide if that's truly the case.

It's notable that unlike the families they meet around the world, no other member of the Bourne family features in the film, with only passing (somewhat condescending) mentions of their mother, and of a third brother with a barbed critique from Nick for his lack of involvement. Had the film included their voices serving as a counterpoint to Nick's opinion, it would offer a more balanced account of Alex's life. An obvious comparison to draw is with this year's superb The Reason I Jump, which similarly dealt with individuals with language and speech problems but that always felt it kept its primary subjects at its core. That also featured interviews with the family member of the key figures, but also gave voice to them and kept its focus on them. Here, not enough credit is given to how perceptive Alex is of the situations he's placed in.

A globe-trotting adventure that is a technically adept piece of filmmaking from brothers Luke (director) and Ed (cinematographer) White, Handsome unfortunately falters in its treatment of Alex, treating him like a prop in his brother's efforts to become a crusading investigative journalist (as can be seen by the film's ill-advised attempt in its third act to become an exposé on government ran concentration camps that ultimately leads nowhere). Where the film succeeds is in the honest, deeply personal accounts of the key contributors, each of whom have faced different obstacles in caring for their children and siblings with Down's. Not without its merits, but the presentation of Handsome and focus on Nick proves to be its downfall.

Verdict

2/5