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This documentary is brought to us by Banksy, almost as infamous for his secret identity as his counter culture street art. Narrated by the gruff Rhys Ifans, it shows us the nocturnal habits of these scandalous vandals. Giant rats holding placards and phone boxes murdered with pick-axes appear overnight, creating a temporary thrill for passers-by and a whole new wave of graffiti warfare.


These artists work on other people's property, and a lot of what they produce only lasts a matter of hours, so having Thierry around with his camera proves advantageous for chronicling their work. As Banksy himself concedes as he shows Thierry a million pounds worth of Princess Diana headed money, what they do is "a legal grey area".
Thierry starts to piece together his hours of footage into the 90 minute feature 'Life Remote Control', quite rightly considered to be an almighty mess of a film. Seeking to increase his involvement in creating the art, Thierry retreats back to California to hone his skills as a street artist, emerging as the dubiously talented 'Mr Brainwash'.

The film is billed as 'a Banksy film', opening up many questions about the ownership and manipulation of art. Banksy never shot any footage personally, most of that was done by Thierry himself, although I'm sure he'd not be too happy with his portrayal in the film. As to how Banksy came into possession of Thierry's years of footage, we don't know. That adds to the question of whether what we're seeing is real or not. Banksy does like to play elaborate tricks on people, and maybe we'll find out a different truth further down the line. I wouldn't be surprised either way.
It brings to mind the excellent documentary Overnight that chronicled the rising career and eventual downfall of Troy Duffy and his film Boondock Saints. That was another film that initially started with full co-operation before turning on its subject and making them a figure of ridicule.

Exit Through The Gift Shop is a very interesting documentary about the street art movement, even if its focus isn't on Banksy. Anyone who's familiar with Banksy's work knows that it comes with an arrid dry sense of humour, and that's definitely present here. It tackles the matter of celebrity in the art world, and has a few laughs along the way. Thoroughly entertaining.
Verdict
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