Friday 29 October 2021


Released just in time for Halloween (trust me, it makes sense), the latest film to get the boxset treatment from Second Sight, Adam Wingard's The Guest is out now in a limited edition 4K UHD format.

When soldier David (Dan Stevens) turns up at their door claiming to be an army buddy of their deceased son Caleb, the Petersons invite him into their home to stay. As David ingratiates himself with the family through his old-fashioned charm, politeness and willingness to help out around the house, Anna (Maika Monroe) starts to become suspicious of his motivations for being there, but when David puts his military training to use by protecting Luke (Brendan Myers) from school bullies, it's clear the family has no idea what kind of person they've allowed into their home.

On paper there were no sure signs that The Guest would turn out to be a success. Director Adam Wingard had made some ultra low budget horrors, like the excellent single location thriller You're Next and contributions to the V/H/S short film collections; and sure, Dan Stevens had gained a devoted following by way of his role in TV's Downton Abbey, but a quick leap to action movie star would be seen as unlikely by even the most optimistic of his fans. Which makes it all the more of an achievement that The Guest is as compelling and as fun as it is, mixing genre tropes, subverting expectations and serving a healthy dose of John Carpenter infused nostalgia into its winning mix.

When the mysterious David meets the Petersons, they're all struggling to deal with the loss of Caleb, bottling up their emotions and not sharing their grief with other members of their family, instead living their own separate lives as four people in the same house. This changes on David's arrival, who at first charms matriarch Laura (Sheila Kelley), seeing in him the damaged soldier she wishes she still had in son Caleb, unlike father Spencer (Leland Orser), who sees David as a potentially dangerous intrusion on his life, before eventually finding some level of camaraderie with him. But it's the lives of Caleb's younger brother and sister who David has the most impact on, stepping in to confront a group of Luke's bullies like a guardian angel, and socialising with Anna and her friends, much to her immediate disapproval.

A stronger, more confident person than the meek Luke, David is comfortable in being the protector/surrogate big brother, who, not unlike Arnie in Terminator 2, has violent methods to get his point across, as evidenced in the film's stand out bar fight scene. Likewise for some of the undesirable characters Anna associates with, David has no qualms in showing them what he's capable of, whether it's carrying kegs into a house party or stripping a handgun down to its component parts in seconds and then putting it back together again to make sure it has the power he wants and will shortly need.

It's at these moments where David offers true glimpses of who he is (and what he's capable of), that The Guest really comes alive. To reveal too much of his backstory would be to spoil too much of the mystery the film cultivates for him, however it's fair to say that this film does not end up where you think it might after the opening scenes. Written by frequent Adam Wingard collaborator Simon Barrett, The Guest openly riffs on John Carpenter's back catalogue (not just via the synth based score), cherry picking ideas and twisting them into something new, all the while maintaining the same tension building exercises Carpenter perfected in films like Halloween and Assault on Precinct 13. What if, instead of a blank faced William Shatner masked killer, it was a charming, handsome, polite young gentlemen who came home that night? And what if he also had the capacity to unflinchingly do away with those in the way of his goal - in this case preserving the well-being of the Peterson family?

The Guest is a film that openly skates close to the edge of ludicrousness, but does so with a knowing wink and a charming smile. The Carpenter riffs are plain to see for any fans of his late '70s and early '80s output (look out for Halloween masks at the school dance), with some Terminator vibes to boot, but newcomers can also appreciate the conspiracy thriller aspects of the story, and the top performances from Maika Monroe (who followed this with It Follows, which is one hell of a one-two punch to get yourself instant Scream Queen hall of fame status) and Dan Stevens, delivering an unexpectedly cool and seductive performance that must have left many a Downton fan scratching their heads. Come the finale, the film doesn't quite stick its landing (in part due to the lack of a sequel it clearly sets up, but that sadly never materialised) and leaves us wanting more time spent with these characters. But, seven years after the original release, The Guest deserves a re-introduction, and with this super collectable edition, he's dressed to impress.




 - New commentary by director Adam Wingard and writer Simon Barrett

 - Archive commentary by director Adam Wingard and writer Simon Barrett

 - The Uninvited Guest: A great new interview with Dan Stevens

 - A Perfect Stranger: A new interview with Maika Monroe

 - By Invitation Only: A new interview with Adam Wingard and Simon Barrett

 - Producing The Guest: A new interview with producers Keith Calder & Jess Wu Calder

 - Light & Fog: A new interview with director of photography Robby Baumgartner

 - Lighting Strikes: A new interview with production designer Tom Hammock

 - The Sounds of The Guest: A new interview with composer Steve Moore

 - Deleted/Alternate scenes & Outtakes with optional director commentary


 - Rigid slipcase

 - Soundtrack CD

 - 160 page book with new essays by Tim Coleman, Zena Dixon, Craig Ian Mann and Zoe Rose Smith. Script to screen with storyboards and script extracts, behind the scenes photos and Adam Wingard soundtrack notes.

 - 6 collectable art cards

No comments:

Post a Comment