Based on the 80's TV show that's only really remembered nowadays as the launch-pad for Johnny Depp's career, 21 Jump Street is the perfect property to be given the remake treatment. Hardly fondly remembered, it still had a killer premise that was just begging for an update. And so the project has fallen into the hands of young Mr Jonah Hill, looking for a new vehicle for his more streamlined physique and the comedy stylings of his friend, the star of GI Joe, Channing Tatum.
Jonah Hill, brought on board as star, producer and story writer (along with Project X's Michael Bacall), obviously believes in making this project one of the funniest things he's ever done. Why else would he agree to the use of the most embarrassing childhood photo I've ever seen? It's disarmingly unflattering in a way that makes you warm to this pair of cops, who despite a lot of good will, are really bad at their jobs. Given the chance to prove themselves by reliving their high school experiences, neither could realistically pass for a teenager, but little problems like that are soon forgotten once they arrive at the school and start trying to blend in by accidentally assaulting the gay, black kid. This isn't your typical high school movie.
For those who've seen Cloudy with a Chance of Meatballs, I'm sure you'll agree that Chris Miller and Phil Lord are the new kings of the comedy montage. Edgar Wright via Saturday Night Live, they're able to cap every crash-zooming, quick cutting montage with a wryly funny punchline. Jonah Hill's stamp is all over the film too; a house party turns into the most anarchic this side of Superbad, and there's those moments of uncomfortable male bonding that Hill is so good at delivering.
All the better for realising it's the latest in a long line of 80's rehashes, it also stands out as one of the best. Goofy, childish and absolutely awesome, 21 Jump Street features the best comedy police work since Hot Fuzz. Yeah, Cop Out, I said it.
Verdict
Spot on as usual. The cameo at the end made it for me!
ReplyDelete